Oliver De Coque vs. Osita Osadebe: Who Reigned Supreme in Nigerian Highlife Music?

CHIEF STEPHEN OSITA OSADEBE 

KING OLIVER DE COQUE 

Oliver De Coque vs. Osita Osadebe: Who Reigned Supreme in Nigerian Highlife Music?

The rich tapestry of highlife music in Nigeria owes much of its brilliance to two legendary figures: Oliver De Coque and Chief Stephen Osita Osadebe. These two icons shaped the genre in distinct ways, each leaving a profound legacy. While Oliver De Coque brought vibrancy and modern flair to highlife, Osadebe epitomized traditional elegance and cultural depth. In this article, we’ll delve deeply into their contributions, styles, popularity, and general acceptance, determining who might be considered "better" in highlife music-making and who enjoyed broader appeal.

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Musical Style and Innovation

Oliver De Coque

Oliver De Coque, born Oliver Sunday Akanite, was renowned as the "Highlife King of Africa". His signature style was a seamless blend of traditional Igbo rhythms, Congolese soukous, and modern Afrobeat elements, making his music both timeless and appealing to a broad audience. His guitar mastery was second to none, and this talent became the cornerstone of his compositions. Songs like "Biri Ka Mbiri", "Nnukwu Mmanwu", and "People’s Club of Nigeria" showcased his exceptional ability to use the guitar to narrate stories and evoke emotions.

Oliver’s music was dynamic and often infused with philosophical themes, societal commentary, and cultural pride. His songs celebrated Igbo traditions, personal integrity, and collective progress, making them a staple at social gatherings, clubs, and festivals.

Chief Dr. Oliver De Coque 

Osita Osadebe

Chief Osita Osadebe, often referred to as the "Doctor of Hypertension", represented the quintessential highlife sound with his smooth, mellow, and laid-back musical approach. His compositions were heavily rooted in traditional Igbo folklore, with a focus on lyrical storytelling and themes of joy, resilience, and love. Tracks like "Osondi Owendi", "Kedu America", and "Onuigbo" are classics that still resonate today.

Osadebe’s music was known for its interactive nature—he would often respond to societal events or include proverbs and idioms that resonated deeply with his listeners. His songs, characterized by long grooves and steady rhythms, created a communal vibe, perfect for celebrations and reflective moments alike.

Chief Osita Osadebe 

Verdict on Musical Style

While Oliver De Coque excelled in innovation, blending global influences with local traditions, Osadebe’s strength lay in preserving the purity of traditional highlife. Oliver appealed to audiences who sought vibrancy and rhythm, while Osadebe’s music catered to those who valued storytelling and cultural connection.

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Popularity and General Acceptance

Oliver De Coque’s Reach

Oliver’s music resonated strongly within the Igbo community, particularly among social and cultural clubs like the People’s Club of Nigeria. His electrifying performances and engaging sound made him a favorite at Igbo traditional events such as weddings, festivals, and coronations. Internationally, Oliver’s modern style gained recognition across Africa and among the Nigerian diaspora.

Osita Osadebe’s Universal Appeal

Chief Osadebe’s influence transcended ethnic boundaries, making him a household name across Nigeria and beyond. His track "Osondi Owendi", which loosely translates to “what pleases one person might displease another,” became a national anthem of sorts, celebrated by people of all ethnicities and walks of life. His ability to connect with a wide audience through relatable lyrics and traditional sounds gave him broader acceptance.

Verdict on Popularity

While Oliver De Coque had a strong fanbase among the Igbo and African highlife enthusiasts, Osadebe’s music enjoyed a more universal appeal, making him arguably more widely accepted in Nigeria and beyond.

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Commercial Success and Longevity

Oliver De Coque’s Prolific Output

Over his career, Oliver De Coque released more than 73 albums, a testament to his industrious nature and dedication to highlife music. His songs were not only commercially successful but also culturally significant, often reflecting the values and aspirations of his audience.

Osita Osadebe’s Timeless Classics

Osadebe’s discography, while not as extensive as Oliver’s, was marked by consistency and timeless appeal. Tracks like "Ndidi", "Onuigbo", and "Ebezina" remain relevant today, frequently played at social gatherings and in nostalgic reflections of Nigeria’s golden highlife era.

Verdict on Longevity

Oliver De Coque may have produced more albums, but Osadebe’s music has stood the test of time due to its emotional depth and cultural resonance.

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Cultural Impact and Legacy

Oliver De Coque’s Legacy

Oliver De Coque is celebrated as a symbol of Igbo pride and cultural identity. His songs emphasized unity, personal responsibility, and societal progress. His impact on the younger generation of highlife musicians cannot be overstated, inspiring artists to adopt the guitar as a central instrument in their music.

Osita Osadebe’s Legacy

Osadebe’s music bridged ethnic divides, making him a unifying figure in Nigeria’s music scene. His songs have become staples at traditional events, weddings, and political gatherings, reflecting their enduring relevance and broad appeal. His influence on the highlife genre is unparalleled, with many regarding him as the epitome of the traditional highlife sound.

Verdict on Cultural Impact

While Oliver De Coque’s legacy is closely tied to Igbo identity, Osadebe’s impact is more far-reaching, positioning him as a national icon in Nigerian music.

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Who Was Better in Highlife Music-Making?

Determining who was “better” in highlife music-making depends on personal preferences:

• Oliver De Coque was a master of innovation and guitar artistry, appealing to fans of modern and energetic highlife.

• Osita Osadebe excelled in lyrical storytelling and cultural preservation, resonating deeply with audiences seeking traditional highlife.

Who Was More Popular and Accepted?

While both legends enjoyed immense popularity, Osadebe’s universal themes and relatable lyrics gave him broader acceptance across Nigeria and beyond. Oliver De Coque’s influence, though significant, was more concentrated within Igbo circles.

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Conclusion

Both Oliver De Coque and Chief Osita Osadebe were giants of Nigerian highlife music, each excelling in their unique ways. Oliver’s innovation and guitar prowess brought a modern twist to the genre, while Osadebe’s traditional sound and relatable themes made him a national treasure. Their contributions remain invaluable, ensuring that highlife music continues to inspire and entertain generations to come.

For lovers of highlife, choosing between these two legends is like picking between two stars in the night sky—both shine brilliantly, each in its own unique way.

Chief Osadebe 

Dr. Oliver De Coque 

Chijioke Mbanefo: The Custodian of Igbo Highlife Music

 Chijioke Mbanefo: The Custodian of Igbo Highlife Music

Prince Chijioke Mbanefo

Chijioke Mbanefo is a name that resonates deeply in the realm of Igbo highlife music, a genre that celebrates the rich cultural heritage of the Igbo people. Known as one of the most prolific highlife musicians of his generation, Mbanefo’s music is a perfect blend of storytelling, cultural preservation, and soulful rhythms. With a career spanning several decades, his work continues to influence and inspire both traditional and modern highlife artists.

Early Life and Background

Born in Ogbaru, Anambra State, Chijioke Mbanefo grew up in a family deeply rooted in Igbo traditions. From an early age, he was exposed to the vibrant world of Igbo folklore and music, which shaped his artistic journey. His father, a local musician, introduced him to the art of storytelling through songs, while his mother’s love for traditional dances inspired his rhythmic sensibilities.

Musical Career and Style

Chijioke Mbanefo began his musical career in the early 1990s, a period when highlife music faced growing competition from emerging genres like Afrobeat. Initially performing with the legendary Chief Osita Osadebe, Mbanefo learned the intricacies of crafting songs that resonate with both the old and young generations. Over time, he developed a unique style that set him apart. His music is characterized by:

• Philosophical Lyrics: Mbanefo’s songs are rich in Igbo proverbs and moral lessons, addressing themes like unity, love, and resilience.

• Traditional and Modern Fusion: He seamlessly blends traditional Igbo instruments like the udu (clay pot drum) and ogene (gong) with modern guitars and horns.

• Danceable Rhythms: His music is a staple at Igbo celebrations, from weddings to village festivals.

Prince Chijioke Mbanefo on stage

Some of his most iconic tracks include:

1. “Unu Egbulam”: A heartfelt song about perseverance in the face of adversity.

2. “Cashless Policy”: A satirical take on societal changes and their impacts.

3. “Onye Kpata Ego”: A celebration of hard work and financial success.

Cultural Impact

Chijioke Mbanefo is often referred to as a cultural ambassador of the Igbo people. His music not only entertains but also educates, preserving the Igbo language and traditions for future generations. In an era where Afrobeat dominates the Nigerian music scene, Mbanefo’s commitment to highlife has kept the genre alive and relevant.

He has also been a vocal advocate for Igbo unity, using his platform to call for peace and collaboration among the various communities in the Southeast.

Challenges and Resilience

Despite his success, Chijioke Mbanefo’s career has not been without challenges. Critics have often accused him of being "too traditional" in a rapidly modernizing music industry. However, his refusal to dilute his style has earned him a loyal fan base that appreciates his authenticity. Additionally, his ability to address contemporary issues like economic hardships and cultural erosion through his music has further endeared him to audiences.

Legacy and Influence

Chijioke Mbanefo’s influence on modern highlife music cannot be overstated. Artists like Flavour, Phyno, and Zoro have cited him as a major inspiration. His ability to bridge the gap between generations ensures that Igbo highlife remains a vital part of Nigeria’s cultural identity.

Through his timeless songs and dedication to cultural preservation, Mbanefo has solidified his place as one of the greatest icons in Igbo music. His works continue to inspire and educate, ensuring that the legacy of Igbo highlife music is passed on to future generations.

Cashless Policy Album cover 

Conclusion

Chijioke Mbanefo is more than just a musician; he is a custodian of Igbo culture, a storyteller, and a beacon of resilience. His music, rich in tradition and wisdom, continues to inspire and educate, ensuring that the legacy of Igbo highlife endures for generations to come. In the ever-changing landscape of Nigerian music, Mbanefo stands as a testament to the enduring power of cultural authenticity and artistic integrity.

Obiligbo Three Generations: Preservation or Commercialization?

 Obiligbo Three Generations: Preservation or Commercialization?

The Three Generations of Obiligbo: Pioneers, Innovators, and Guardians of Igbo Music

The name Obiligbo echoes like a timeless melody in the corridors of Igbo music history. This family, spanning three remarkable generations, has carried the torch of cultural preservation, innovation, and controversy in Igbo folklore, traditional music, and modern highlife. From the poetic wisdom of Chief Ezigbo Obiligbo to the electrifying performances of Umu Obiligbo, their legacy is both a cultural treasure and a source of spirited debate.

Chief Ezigbo Obiligbo

Chief Ezigbo Obiligbo: The Godfather of Igbo Folklore

Before "highlife" became a household term, there was Chief Ezigbo Obiligbo, the grandfather and pioneer of the family’s musical dynasty. Born in an era where storytelling was the lifeblood of Igbo tradition, Ezigbo turned proverbs, tales, and ancestral wisdom into songs. With nothing but a traditional ekwe (wooden drum), oja (flute), and his commanding voice, he created a genre that resonated deeply with the Igbo people.

Ezigbo’s music wasn’t merely entertainment; it was a moral compass. His songs spoke of courage, integrity, and community—values that formed the backbone of Igbo society. Yet, his work also sparked controversy. Critics argued that his insistence on cultural purity in an era of Western influence was "regressive." But to his fans, he was a warrior, fiercely defending Igbo identity.

Ezekiel Akunwafor Ajana Obiligbo

Chief Ezekiel Obiligbo: The Bridge Between Generations

Enter Chief Ezekiel Obiligbo, Ezigbo’s son, who inherited his father’s passion but took a more adaptable approach. Growing up during Nigeria’s post-independence era, Ezekiel recognized the need to modernize without losing touch with his roots. He introduced the guitar into his music, blending traditional folklore with the emerging highlife style.

Ezekiel’s songs maintained the moral undertones of his father’s work but added a layer of sophistication. Tracks like "Ije Enu" (Life’s Journey) became staples at ceremonies and festivals, celebrated for their rich lyrics and danceable rhythms. But not everyone was pleased. Purists accused Ezekiel of "diluting" traditional Igbo music. The younger generation, however, embraced his innovation, seeing it as a necessary evolution.

Ezekiel’s era also marked the beginning of the family’s broader influence. His music crossed regional borders, appealing to non-Igbo audiences and setting the stage for the global recognition of Igbo highlife.

Umu obiligbo

Umu Obiligbo: The Rebellion and Revivalists

The baton has now passed to Umu Obiligbo, the duo of Okpuozor and Akunwafor Obiligbo. These grandsons have turned the family’s legacy into a cultural revolution. Born into a digital age where Afrobeat dominates, Umu Obiligbo took a bold step: they blended highlife and folklore with contemporary sounds, creating a genre that defies categorization.

Their music—a seamless mix of Igbo proverbs, soulful guitar riffs, and Afrobeat rhythms—has drawn comparisons to the works of highlife legends like Oliver De Coque and Osita Osadebe. Songs like "Culture" (featuring Flavour and Phyno) and "Onyebuchi" have become anthems, bridging the gap between traditionalists and millennials.

But their rise hasn’t been without criticism. Hardcore traditionalists argue that Umu Obiligbo’s collaborations with Afrobeat artists dilute the essence of highlife. Others claim that their lyrics, while rooted in proverbs, lack the philosophical depth of their grandfather’s compositions. Yet, the duo remains unapologetic. "We’re keeping our roots alive," they assert, "but we’re also speaking to a generation that listens to Davido and Burna Boy."

Controversy: Preservation or Commercialization?

At the heart of the Obiligbo dynasty’s story lies a contentious debate: Are they preserving Igbo culture or commercializing it? For some, Chief Ezigbo’s unadulterated folklore represents the "real" Igbo music, while others see Umu Obiligbo’s genre-blending as the future of cultural relevance.

Ezekiel’s role as the "bridge" is equally divisive. Did he dilute his father’s legacy, or did he ensure its survival by making it accessible? And what of Umu Obiligbo? Are they honoring their roots or exploiting them for fame and profit?

Impact Across Generations

Despite the controversies, the Obiligbo family’s impact is undeniable. They have:

1. Preserved Igbo Traditions: From Ezigbo’s folklore to Umu Obiligbo’s modern anthems, the family has ensured that Igbo culture remains vibrant.

2. Inspired Generations: Artists like Flavour, Phyno, and Zoro often cite the Obiligbos as influences.

3. Globalized Igbo Music: Through collaborations and innovation, they have introduced Igbo music to international audiences.

4. Fostered Cultural Pride: Their work has reignited interest in Igbo traditions among younger Nigerians.

Conclusion: A Legacy of Complexity

The story of the Obiligbo family is one of passion, controversy, and resilience. Each generation has faced the challenge of staying true to their roots while navigating a changing world. Whether you see them as purists, innovators, or rebels, one thing is clear: the Obiligbos are more than musicians; they are custodians of Igbo heritage.

Their journey reminds us that culture is not static. It evolves, often controversially, but always with the potential to unite and inspire. The Obiligbos’ legacy will continue to spark debates, but perhaps that’s their greatest contribution: keeping Igbo culture alive, dynamic, and fiercely relevant.

Chief Akunwafor Ezigbo Obiligbo

Chief Akunwafor Ajana Obiligbo

Umu Obiligbo

Chief Stephen Osita Osadebe: The King of Highlife Music

Chief Stephen Osita Osadebe: The King of Highlife Music

Osita Osadebe posing with his Mercedes Benz 

Chief Stephen Osita Osadebe: The King of Highlife Music

Osita Osadebe: The Nigerian Highlife Legend

Chief Stephen Osita Osadebe, fondly called Osadebe, was a legendary Nigerian highlife musician whose music defined an era and left an indelible mark on African highlife music. Born on March 17, 1936, in Atani, a small town in Ogbaru Local Government Area of Anambra State, Osadebe rose to become one of the most celebrated highlife artists in Nigeria and beyond.

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Early Life and Influences

Osadebe grew up in a culturally rich environment where traditional Igbo music and folklore were integral to daily life. These early experiences shaped his musical style, which would later merge traditional Igbo rhythms with highlife music, a genre that was gaining traction in the 1950s and 60s.

After completing his education, Osadebe’s love for music drew him to Lagos, the bustling hub of Nigerian entertainment at the time. He began his career as a vocalist with the Stephen Amechi Band in the mid-1950s. His exposure to the vibrant Lagos music scene inspired him to pursue a career in highlife music, which was influenced by Ghanaian highlife and Western jazz.

Oliver De Coque: The Guitar Virtuoso of Igbo Highlife. Who was he?

Oliver De Coque holding his signature Guitar 

Oliver De Coque: The Guitar Virtuoso of Igbo Highlife Music

Who was Oliver De Coque?

Oliver Sunday Akanite, widely recognized as Oliver De Coque, was a legendary figure in Nigerian highlife music. Known as the "Guitar Wizard" of Igbo highlife, Oliver's unique blend of traditional Igbo Ogene music and modern highlife rhythms made him a standout in the African music scene. Born on April 14, 1947, in Ezinifite, Nnewi South Local Government Area, Anambra State, his musical journey was shaped by Igbo culture and an early love for the guitar.

Early Life and Musical Journey

Oliver De Coque’s early exposure to music was fueled by his love for traditional Igbo sounds. Growing up in Ezinifite, a town deeply rooted in Igbo customs, Oliver was influenced by local musical traditions. He first learned to play the guitar as a teenager, with Congolese soukous music—particularly the guitar stylings of Dr. Nico—serving as his primary inspiration. His fusion of this style with traditional Igbo rhythms would go on to define his career.

In the early 1970s, Oliver honed his skills as a session guitarist, working with various Nigerian bands. His breakthrough came when he joined Sunny Agaga's Lucky Star Band. By the late 1970s, Oliver formed his own group, Oliver De Coque and His Expo 76 Ogene Sound Super of Africa, and began to make a significant mark on the Nigerian highlife music scene.

Oliver De Coque’s Music and Style

Oliver De Coque’s music fused the highlife genre with traditional Igbo Ogene sounds. His intricate guitar riffs, coupled with vibrant percussion, created a sound that was both contemporary and deeply rooted in Igbo culture. Known for his electric guitar wizardry, Oliver’s music was energetic, with themes of love, unity, resilience, and cultural pride. His music was not just entertainment—it was a reflection of the richness of Igbo heritage.

Oliver’s performances were electrifying, often featuring him in traditional Igbo attire, which highlighted his deep cultural connection. His music was always accompanied by pulsating rhythms, powerful vocals, and captivating guitar solos, making him one of the most respected figures in African highlife music.

Album art cover of Oliver De Coque 

Music and Style

Oliver’s music was a blend of traditional Igbo Ogene music and highlife, enriched by his mastery of the guitar. His style was energetic and intricate, earning him the nickname “The Guitar Wizard.” His songs were not only melodious but also deeply reflective, often addressing themes of love, culture, unity, and the celebration of life.

One of his standout traits was his ability to create highly engaging guitar riffs that complemented his soulful vocals. His performances were electrifying, characterized by vibrant traditional costumes and the seamless interplay of guitars, drums, and other percussive instruments.

Notable Hits

Oliver released over 93 albums during his career, producing countless hits that continue to resonate with fans today. Some of his most iconic songs include:

1. “Biri Ka Mbiri”: Encouraging resilience and perseverance.

2. “People’s Club of Nigeria”: A celebration of unity and fraternity among club members.

3. “Identity”: A reflective anthem emphasizing self-awareness and cultural pride.

His music became an essential part of celebrations, especially within Igbo communities, and his lyrics often carried messages that inspired personal growth and communal harmony.

Personal Life

Despite his fame, Oliver De Coque remained a humble and family-oriented man. He was a devout Christian who balanced his career with a deep sense of spirituality. Married with children, Oliver took pride in raising a family that cherished Igbo traditions.

 Is Oliver De Coque alive? (Legacy and Impact)

Oliver De Coque at his youthful age 

Oliver De Coque passed away on June 20, 2008, but his influence on Nigerian and African music remains immense. He is celebrated as one of the most prolific highlife musicians of all time. His music has inspired generations of artists, including contemporary highlife musicians like Flavour and Phyno.

Oliver’s legacy is not just in the melodies he left behind but in the cultural pride he instilled in millions of fans. He is remembered as a master of his craft and a custodian of Igbo heritage, ensuring that highlife music remains a vibrant expression of African culture.

Queen Theresa Onuorah: The Queen of Egedege and Highlife

Queen Theresa Onuorah: The Icon of Egedege Music and Igbo Highlife

Theresa Onuorah, pictured above 

Queen Theresa Onuorah: The Icon of Egedege Music and Igbo Highlife

Queen Theresa Onuorah is a celebrated Nigerian musician and cultural ambassador, known as the “Queen of Egedege Music.” Hailing from Unubi in Nnewi South, Anambra State, she has redefined Egedege music, a traditional Igbo genre, blending it seamlessly with highlife elements. Her work preserves and modernizes this rich musical heritage, earning her a legendary status in African traditional music.

A Fusion of Egedege and Highlife Music

Theresa Onuorah’s signature style, Egedege—meaning “richness and elegance”—was historically reserved for kings and sacred ceremonies. She revitalized the genre, merging it with highlife’s upbeat rhythms, melodic horns, and guitar riffs. Her music resonates across generations, offering a unique mix of spiritual storytelling and festive danceable beats.

Theresa’s powerful voice and use of ancient Igbo proverbs create a connection between the past and present, making her music both timeless and relatable. Songs like “Egwu Ndi Eze” and “Ogene Ndi Igbo” celebrate Igbo royalty and unity, further solidifying her cultural influence.

Her Colorful Performances

Theresa Onuorah’s stage performances are legendary. She is known for wearing brightly colored traditional outfits, complete with beads, headgear, and elaborate patterns that reflect the grandeur of Igbo culture. Her performances are not just about the music—they are cultural exhibitions.

Accompanied by dancers and instrumentalists, her shows are synchronized and dynamic, with every move and beat reflecting the richness of Igbo traditions. Her ability to bring her audience into the heart of Igbo culture through her songs and stagecraft has made her a beloved figure across Nigeria and beyond.

Queen Theresa Onuorah pictured in a colorful attire 

Her Personal Life and Role as a Cultural Custodian

While Theresa Onuorah is a public figure, she has kept much of her personal life private. What is clear, however, is her deep commitment to preserving the traditions of her people. She often describes her music as a gift from her ancestors, whom she credits as the source of her inspiration and creativity.

Theresa sees herself as more than a musician. She views her role as a custodian of Igbo culture, ensuring that the values, stories, and spiritual wisdom of her community are passed on to the next generation. She has mentored younger artists, encouraging them to embrace their roots while exploring creative ways to modernize traditional sounds.

Her humility and connection to her community have earned her immense respect, not just as an artist but as a cultural ambassador. She continues to participate in traditional ceremonies and festivals, where her music plays an essential role in uniting people and celebrating Igbo heritage.

Top Songs That Define Her Legacy

1. "Egwu Ndi Eze" (The Dance of Kings)

This song is a celebration of Igbo royalty and the traditional rulers who serve as custodians of culture. With a vibrant rhythm and Theresa’s commanding vocals, it is a favorite at cultural events and festivals.

2. "Ogene Ndi Igbo" (The Gong of the Igbo People)

This track honors the strength and unity of the Igbo people. It features powerful percussion and lyrics that inspire pride in one’s heritage, making it a rallying cry for cultural identity.

3. "Ije Awele" (Smooth Journey)

A spiritual and reflective song, “Ije Awele” offers prayers for success, guidance, and protection in life’s journey. Its soothing tone and deep meaning make it a standout track loved by many.

Her Impact on Highlife Music

Theresa Onuorah’s ability to merge Egedege with highlife has positioned her as a pioneer in modernizing traditional music. Highlife, a genre popular in West Africa, is known for its use of upbeat melodies and danceable rhythms. Theresa’s version of highlife retains its festive feel but is deeply rooted in Igbo spirituality and storytelling.

Her influence on highlife has inspired contemporary artists, many of whom now incorporate traditional sounds into their music. By keeping Egedege and highlife alive, she has helped bridge the gap between past and present, ensuring that younger generations remain connected to their roots.

Resurgence and Collaborations

Theresa Onuorah’s influence saw a resurgence in recent years, particularly with her feature on the 2021 hit song “Egedege” by Larry Gaaga, featuring Flavour and Phyno. The collaboration was a celebration of Igbo culture, blending traditional Egedege elements with modern Afrobeat sounds. The song introduced her to a new, younger audience, reigniting interest in her music and the Egedege style.

This collaboration showcased Theresa’s versatility and proved that her music is timeless. It also underscored her role as a bridge between the traditional and the contemporary, reminding Nigerians of the importance of preserving their cultural heritage.

Theresa Onuorah pictured with Flavour 

Her Legacy and Global Impact

Through dynamic stage performances featuring vibrant Igbo attire, Theresa has brought Egedege music to a global audience. Her role as a cultural custodian is reflected in her mentorship of younger artists and her commitment to preserving Igbo traditions. Notable collaborations, like the 2021 hit “Egedege” with Larry Gaaga, Flavour, and Phyno, have introduced her artistry to younger audiences, bridging traditional and contemporary African music.